|
Home
What's New
About Marni
Bio
Past Work
What Others Say
Publications
Audiotape
Books
Articles in Print
Bring Marni As
Performer/Teacher
In-service Instructor
Poemteller
For Adults
Story Studio
About Storytelling
Articles
Bibliographies
Contacts
Marni
Webmaster
|
Why Storytelling?
A List for Parents, Teachers, and Curricula-Makers
Teachers like to know "why" when it comes to introducing any new skill or
curriculum component, and rightly so.
As a full-time teacher I was astounded
when I incorporated storytelling into my curriculum. Working up tales and
performing them took time, yes, but the benefits affected the reading,
writing and understanding of my students in so many ways that I felt it was
well worth the time.
Now as an artist-in-residence, even in a short visit, I
can see students' increased confidence and facility with language because of
storytelling.
Teachers and tellers once helped me compile a list of the positive effects of
storytelling on children and their learning. If you want to be able to convey
to others the value of storytelling in education, help yourself to this list
of all the reasons for "Why storytelling?"
Storytelling gives students:
- a sense of history
- experiences of listening and turn-taking
- a sense of community
- the ability to imagine
- confidence
- respectful (responsive) listening
- a tool for changing social cliques and stereotypes
- expressive presentation skills:
- eye contact,
- voice volume and variety,
- effective pauses,
- and awareness of movement, gesture, and facial expression
- vocabulary development or the use (practice) of new or difficult words in context
- the sound and use of grammars and syntaxes other than their own
- an understanding of the purpose for punctuation - for pausing or setting off
- an understanding of characters and how to give them shape and shading
- a knowledge of sequencing and story structure
- a sense of writing techniques such as
- a strong beginning and end,
- the use of suspense,
- the use of sensory detail and imagery
- an opportunity to make choices (story choices, editing choices, tone or style of presentation choices, etc.)
- a sensitivity to oral language and its importance to culture
- a connection between language and meaning
- an awareness of the language of movement and expression
- a sense of how stories have layers of meaning
- the experience of how through retelling we go deeper into a tale
- a realization of how stories change with different audiences knowledge of how the teller and audience co-compose the story
- the "fluidity" of the oral mode
- a chance to experience the shapes, vocabularies and styles of many genres of (oral) literature
- opportunities to overcome fears of performing and speaking out
- a sense of personal power and self-control
- an experience of their own natural creativity
- a sense of power when they crawl inside a story because the structure and world of the story provides a kind of shelter and makes telling a story feel safe
- a chance to "walk the tightrope of a tale" and succeed
- a feeling of "I did it!" (feeling of accomplishment)
- a chance to be heard chance to show others who they really are - often through the symbol or metaphor of the story
- a chance to succeed as they see others succeed
- a feeling that their own childhood loves are still valid (even though they are cool Old Kids now)
- an opportunity to learn to trust themselves and others (if handled well - if handled poorly kids can learn it is not safe to tell stories or to trust)
- a chance to command the attention of the group
- a chance to be validated, to matter, to be seen
- an opportunity to see how education is connected to life - especially when kids find themselves in stories or tell their personal experience stories
- a sense of how academic "work" can feel like play
- a sense of their bodies in space and how others use space, movement, voice and character
- a chance to shape their own learning - when they are allowed to choose their own story and keep track of what skills they are learning or what is difficult for them in the act of telling and then to seek the kind of help that fits
- an awareness of ancient cultures and how stories told orally were the first literature (besides cave paintings?)
- a sense of how ancient culture is connected to the present.
All Materials Copyright 2004-2008 by Marni Gillard. All Rights Reserved.
Home
What's New
About Marni
Bio
Past Work
What Others Say
Publications
Audiotape
Books
Articles in Print
Bring Marni As
Performer/Teacher
In-service Instructor
Poemteller
For Adults
Story Studio
About Storytelling
Articles
Bibliographies
Contacts
Marni
Webmaster
|